Ellen Weisbord

Fiber and Mixed Media

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Shadowscapes

Coiled Baskets 1-4: Diane�s Wooden Bowls, Nate�s Grosgrain Ribbon, linen, silk, copper nails This series evolved as a continuation of my desire to make use of found and existing materials. Taking a break from family heirloom textiles, I said to a friend that I would like to do a series building coiled baskets onto found objects. In her basement, four nesting wooden bowls called out to me, and I said, �I�ll take those!� The first thing I noticed when hammering in copper nails, was the wonderful shadows created. It was then that I realized these pieces would be about the shadows, just as much, if not more than the object itself. From then on, everything I did had to speak beautifully in shadow as well as in its solid form. The coiled basketry technique lends itself to the creation of negative spaces, which in turn let light pass through creating a world of shadows, always changing with the changing light. The shadows of stray linen and silk threads dance, the nails elongate and lose their uniformity, the grosgrain ribbon used as the core material, twists and emerges as a motif of pointed thorns (which in shadow look much more threatening). Most important is the interplay of the solid and fixed landscape with the constantly changing world of light and shadow.

Wisdom from the Attic: MATRIARCHAL BUILDING BLOCKS

Six 4 x 4 x 2 " needle felted pieces, arrangement variable

FLYING CARPETS

Flying Carpet #1: Irrigation Circles This is the first in an ongoing series of small knotted pile rugs inspired by photographs I have taken from airplane windows. One of my goals in this project is to use up all of my rug wools, some dating back 47 years. Since I may only work with what I currently own, I am challenged to blend colors, and to make artistic choices based on the colors at hand rather than the literal colors in the photo. I hope to capture the magic of seeing the world from above.

Wisdom from the Attic: BLANKETED

Needle-felted wool blanket pieces, wool batting

Wisdom from the Attic: GENERATIONAL FINDINGS

Carry the Weight

Coiled baskets with rocks, expressing the weight of loss, illness, pandemic, politics, and protest over social injustice

Inner Flow

Variable 9-piece sculpture

(not quite) Black and White Pair

Gathering Moss: Stole with Pocket

Gathering Moss merges wet felted wool with partially woven handspun yarn through the needle felting process

Aurora Borealis, Yellowknife

Weaving, dupioni silk fabric and linen

Point Reyes Triptych

Coiled Baskets

Tybee Island Baskets

coiled baskets and found beach materials

Vacation Baskets

Coiled Baskets with found materials Vacation Baskets � Harpswell, ME� July 2011 These baskets began during a workshop at the Kinhaven Music Camp in Weston, Vermont. I designed a 2-day workshop for campers to coil baskets incorporating natural materials discoverd on campus, but found the concept really enjoyable myself.� After leaving the camp for my vacation on the Harpswell Pininsula in Maine, I decided to continue making one basket each day and to use materials picked up on walks in the woods and on beaches.� Each evening I sat in my cottage overlooking the ocean and created a basket representing a bit of my day.� �

Inner Life of Bamboo

Mixed Media Baskets

After Lava

Felt, Photography, Handspun Fiber

Garden Path

Felt and Photography

Sea Anemone Baskets

Coiled Baskets Sea Anemone Baskets �2010-2011 On two visits to the coast of northern California, I �was captivated by the rich diverse life of tidepools, especially sea anemones. �This series of coiled baskets captures the changing nature of the sea anemone which closes to protect itself from drying out when above water, and opens its tentacles under water. �Each of these pieces has a long extension with "tentacles" that can be hidden inside, coiled around the opening, or extended from the basket. �The bottom of each piece resembles the anemone tightly closed. �Though similar in form and color, each basket has its own unique character, representing the importance of the individual even in an aggregating society. �

Mushroom Baskets

Mushroom Baskets 2007-2008 This collection of coiled baskets was inspired by my fascination with mushrooms in the wild, particularly their otherworldly forms, textures and colors. I love the surprise in suddenly spotting a lone mushroom, and the amazement in coming upon a colony. I hope to recreate that sense of discovery and amusement with these whimsical sculptural pieces. The basket sets of two or more pieces can be rearranged in a multitude of ways, and the individual baskets have moveable parts. These baskets "come alive" with viewer interaction.

Stair Variations

Fiber and photography The Stair Variations?series continued the exploration of multiples. ?With this work, I began using my own photographs of stairs taken in lighthouses in Newfoundland and Labrador. ?I found that I was shooting photographs in the style of my earlier collages. I altered the photographs with stitched and woven elements, allowed them to become more dimensional, and created a new sense of movement through the arrangement of the multiple images. Working in this way, I have continued to create dreamlike shifts in reality, where stairs begin to fly, spin like amusement rides, or spiral like DNA. I invite the viewer to take these journeys, and imagine where these stairs may lead you.

Stairs

Collage, fiber, watercolor pencil/ Giclee Prints In the Stairs series, I began to use watercolor pencils with the cut paper, and included hand spun fiber and silk threads. Each piece is like a photograph, capturing place and light, exposing both real and dream worlds as one. With the use of gicl�e prints, I began to explore working with multiples. Three Stairs, Nine Times is the piece in which I first began playing with the concept of flipping and rotating reality, and watching the new patterns that emerged. I also introduced images of game pieces as human surrogates.

Portals

Portal Series 1997-1998 Collage This work reflects my long-standing interest in the symbolic nature of doors, window, and stairs, what lies beyond them, and whether one chooses to go through, up, or down to another place. With the absence of human figures in these scenes, it is the viewer who is invited to "enter" and move through the space. It is the viewer's imagined choices and emotions that activate each piece. The Portal, Interior, and Window collages were created with pieces of magazine paper.

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